Successful Personal Statement For Oxford English Language And Literature

George Eliot’s metaphor for imagination- ‘inward light which is the last refinement of Energy … bathing even the ethereal atoms in its ideally illuminated space’- is beautiful. The powerful image supported by the underlying liquid consonants skilfully leads to the action it describes, but it is also the suggestion of particle physics and mass-energy equivalence that interests me about this quotation. In this way, I have gained more from reading ‘Middlemarch’ as I appreciate Eliot’s constant links between science and fiction, and I believe scientific study has generally sharpened my abilities of analysis and concise expression.

I have loved working as a steward at the Globe Theatre; I had the opportunity to see many plays, including a production of Marlowe’s ‘Dr Faustus’. I read Dante’s ‘Inferno’ and several books of Milton’s ‘Paradise Lost’ for a different portrayal of hell and sin to that depicted in ‘Dr Faustus’. I found the torment and suffering described by Dante graphic, whilst the first person narrative drew me closer to the pathos fear and disgust expressed. Milton’s depiction of a mental state is much more powerful in my opinion, and has interesting parallels to Faustus’ state of damnation. I also saw Shakespeare’s ‘As You Like It’, ‘All’s Well that Ends Well’ and ‘Much Ado About Nothing’ whilst stewarding. ‘Much Ado About Nothing’ reminded me of the surprising similarity between Shakespeare’s comedies and tragedies. Claudio and Hero’s troubled love and Don John’s self-proclaimed villainy seem to mirror the actions of Othello, Desdemona and Iago. Viewing comedy as a structure, ‘Much Ado’ contains the potential tragedy of ‘Othello’, but an added last act resolves all tensions and ends so happily and neatly that it seems to me rather unrealistic.

I enjoyed Dickens’ ‘Our Mutual Friend’ for its satirical portrayal of superficial London society. His depiction of characters and scenes make the novel humorous and therefore very different to ‘A Tale of Two Cities’. Here, the powerful characterisation emphasises the terrible human suffering and moral corruption, for example his effective personification of ‘La Vengeance’, who encourages the cries of bloodlust from Parisians. I found it easier to empathise with Jude in Hardy’s ‘Jude the Obscure’ than with Dickens’ creations however, since his actions appear futile against the fate which continually works against him. There seems to be no hope in the novel, unlike the eventual triumph of love over death in ‘A Tale of Two Cities’. Just as in ‘Tess of the d’Urbervilles’ and ‘A Pair of Blue Eyes’, love and happiness seem only like a prelude to grief and sorrow linked with the relentless passing of time. I find Donne’s approaches to this theme interesting too: in both his love poems and the Holy Sonnets, Donne uses form to counter and control the passing of time and the prospect of change.

I have participated in many music groups and ensembles at school, having achieved Grade 8 with distinction in both Flute and French Horn. I have worked for two years in my local Cancer Research shop as part of the Gold Duke of Edinburgh award, and also spent a residential week with a charity called Activenture, looking after children of different ages and abilities, for which I received the Young Carer of the Year award. During my gap year, I plan to join my local orchestra and travel for three months around South America, but ultimately I am most excited about the time I will have to read and further explore English literature.